By Fin Kennedy
Direction and scenic design by:
Nancy Keystone
Boston Court Pasadena, 2011
Production Team:
Lighting design: Christopher Kuhl
Costume design: Ann Closs-Farley
Sound design/music composition: John Zalewski
Video design: Adam Flemming
Prop design: Robyn Taylor
Ensemble:
Brad Culver, Nick Mills, Carolyn Ratteray, Valerie Spencer, Time Winters
Press:
“Nancy Keystone not only hits every note with precision and perfection, she manages to add great depth to the words with her brilliant use of lighting, music, props, and projection. At times the experience becomes surreal and cinematic…The staging is complex and its intricacy continuously forces the audience to stay out of any sort of usual playgoer comfort zone. Keystone also designed the starkly functional set which comes alive in unexpected ways throughout.” –Bill Swadley, Huffington Post
The relentlessness of the piece, part expressionistic psychodrama, part dystopian adventure tale, is compounded by a purposefully disorienting style that doesn’t merely describe Charlie’s state of mind but enacts it…Nancy Keystone’s uncompromising staging, making imaginative use of a monochromatic set she designed…catches the sense of urban anomie to a point that would have had Kafka waving a little white flag.” –Charles McNulty, Los Angeles Times (Exactly. He got it, he just didn’t like it.)
Theatre Review by Bill Swadley, Huffington Post
https://www.huffpost.com/entry/theater-review-how-to-disappear-completely_b_859212
Photos by:
Efren Delgadillo, Jr.